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Showing posts with label Museum of the Bible. Show all posts
Showing posts with label Museum of the Bible. Show all posts

July 6, 2017

Civil Complaint requires forfeiture of thousands of cuneiform tablets and clay bullae, but is that enough?

Cuneiform Tablet - Image Credit U.S. Attorney's Office for the Eastern District of New York
By: Lynda Albertson


At the heart of the investigation, were import irregularities related to ancient artifacts shipped to Hobby Lobby, Mardel, Inc. and Crafts, Etc! The firms Mardel, Inc. and Crafts, Etc! were affiliates of Hobby Lobby and both maintained their principal corporate offices adjacent to Hobby Lobby’s headquarters in Oklahoma City.  

The antiquities were shipped to Hobby Lobby and their associates by dealers in Israel and the United Arab Emirates (“UAE”), all of whom have been left unnamed in the civil complaint.  The objects were shipped without required customs entry documentation being filed with the U.S. Customs and Border Protection (CBP) and bore shipping labels that falsely and misleadingly described their contents and their value, in some cases as “ceramic tiles” or “clay tiles (sample).” In truth, the mislabeled objects were ancient clay and stone artifacts that originate from the area of modern day Iraq, which had been smuggled into the United States after their contracted purchase in the Middle East. 

Hobby Lobby's growing Green Collection is purported to be the largest private collection of rare biblical texts and artifacts worldwide and is estimated to be made up of more than 40,000 biblical-related antiquities, purchased and assembled by the Green family, who are founders of the national arts and crafts chain.  The bulk of this collection is intended to be displayed in their 430,000-square-foot Museum of the Bible, which is scheduled to open in Washington DC in November of 2017.

As is often the case with illicit antiquities smuggled around the globe, the intercepted packages, destined eventually to join the museum's collection, had their shipping labels intentionally mislabeled, stating the country of origin as imports from Turkey and Israel, not Iraq.  The shippers also used multiple shipping addresses for objects destined for a single recipient.  This too is a technique used by smugglers of all types, not just illicit antiquities, as it is a means of avoiding scrutiny by customs authorities. 

In the DOJ press release Bridget M. Rohde, Acting United States Attorney for the Eastern District of New York, and Karin Orenstein, Assistant United States Attorney, of counsel, announced that Hobby Lobby Stores has agreed to pay a $3 million federal fine and forfeit thousands of ancient Iraqi artifacts believed to have been smuggled in 15 shipments, 5 of which were stopped by the CBP on their way to the Greens.   

Hobby Lobby had executed an agreement to purchase the objects, despite their likely illicit origins, in 2010 for $1.6 million.  They paid for the antiquities via wire payments to seven personal bank accounts held in the names of five individuals.  This despite noticeable suspicious irregularities in the objects purported provenance and no direct contact with the objects' "owner.  The civil complaint also outlines conversations related to the purchase and import which indicate intentional changes to invoices and shipment to disguise the objects' value, and in some cases to change to purported seller. 

As DOJ documents state Title 19, United States Code, Section 1595a(c)(1)(A) provides that “merchandise which is introduced or attempted to be introduced into the United States contrary to law . . . shall be seized and forfeited if it . . . is stolen, smuggled, or clandestinely imported or introduced.”

Legal measures specific to Iraq also make it a violation of U.S. law to import any cultural objects removed from Iraq since August 1990, unless exported with the permission of Iraqi authorities.  Illegally importing objects that meet this criteria are subject to criminal penalties and fines.

Equally important Under Article 3 of Iraq’s Antiquities Law No. 59 of 1936 (as amended in 1974 and 1975), all antiquities found in Iraq, whether movable or
immovable, on or under the ground, are considered property of the state. Under Article 16 of Antiquities Law No. 59, private persons generally cannot possess antiquities. Article 26 of the same antiquities law prohibits the export of Iraqi antiquities and defines “antiquities” as movable possessions which were made, produced, sculpted, written or drawn by man and which are at least 200 years old.  Southern Mesopotamian objects definitely fall into this category as any collections management expert in Near East antiquity would be aware of.


Is a $3 million fine and the forfeiture of 450 ancient cuneiform tablets and 3,000 ancient clay bullae enough?

As a result of this investigation, Hobby Lobby has agreed to adopt internal policies and procedures governing its importation and purchase of cultural property, provide appropriate training to its personnel, hire qualified outside customs counsel and customs brokers, and submit quarterly reports to the government on any cultural property acquisitions for the next eighteen months.


So much for remorse. 

NB: No one has faced criminal prosecution (read: jail time) for their actions. 

November 6, 2015

The Good the Bad and the Ugly in Crowdfunding: How Two Museum Projects Measure Up Differently.... Featuring The Tesla Science Center and the Museum of the Bible

Abdul Halim Attar with daughter, Reem
Image Credit: Joshua Abu al-Homsi/Twitter
Most people who have spent any time surfing the web in the last few years have heard about crowdfunding.   Newspapers are full of feel-good stories of individuals raising thousands of dollars for uplifting causes.  Some, like last summer's campaign, which raised $130,000 for the family of Abdul Halim Attar -- a displaced pen-selling Palestinian-Syrian refugee from Yarmouk in Syria, help struggling families when life throws them a curve ball.  Others give inventors much-needed start-up capital to carry a drawing board concept through to market fruition. 

Donation-based crowdfunding is pretty self-explanatory. Almost anyone can post a cause or an idea on a relevant crowdfunding platform and ask for donations to help make something happen.  Sometimes, but not always, those who donate receive a special perk in exchange.  In the case of start-up companies, project backers sometimes receive beta-release versions of the product under development; an incentive that works well for cash-strapped technology-entrepreneurs. 

With the onset of internet based crowd funding its now easier and relatively hassle-free for anyone to ask a large number of people each for a small amount of money.  That in turn has made crowdsourcing an appealing tool for museum organizations.  Instead of writing a lengthy 100 page grant proposal or fronting the money for expensive charity dinners in the hopes of attracting wealthy philanthropists, art and museum administrators and fundraisers can now turn to crowdsourcing as a means of generating much-needed cash to carry out missions and projects. 

The Power of the Crowd

Turning to the internet, flamboyant cartoonist Matthew Inman launched a crowd-funding campaign via the Oatmeal to buy the property of Nikola Tesla’s former laboratory, located in Shoreham, New York.  His campaign needed $850,000 and raised $1.37 million in six days with the help of 33,000 Tesla-loving backers.   Further assisted by a grant approved by the state of New York for an additional $850,000 the fundraisers were able purchase the inventor's lab property, yet still needed more capital to accomplish their goal of building the museum in honor of the savvy engineer.

Not to be discouraged, Inman publicly asked Canadian-American business magnate Elon Musk, the founder of Tesla Motors, to donate one million dollars in a Tweet.  Accepting the gauntlet thrown down, Musk accepted and challenged Tesla-loving Oatmeal followers to again dig into their own pockets to raise the difference needed in order to make the museum a reality. 

Using the Indiegogo platform Inman started a Buy a Brick, Build a Museum campaign spurring internet-savvy donors to come up with the additional funds.  The result?  He raised a whopping $518,566 towards the Tesla Science Center at Wardenclyffe, a sum more than two and a half times his original goal.

The power and value of crowdfunding, as these examples clearly illustrate, has changed the speed as well as the way individuals charitable contributions can be accessed.  

Organizations now have the ability to quickly and easily raise necessary funding in safe, secure crowdsourcing portals and at nominal costs to the fundraiser.   Some organizations have even gone so far as to build professional grade crowdfunding platforms into their own websites circumventing the overhead fees charged by most crowdsourcing portals.   

Anyone and virtually any cause, anywhere, can now tap into this type of funding.  No project is too big or too small.

But while giving small dollops of money to help someone who is less fortunate or to a good cause, like the development of a new museum, is commendable, people should carefully consider who they are funding and make sure that they donate responsibly to reputable persons and organizations so as not to fall prey to fraudulent or irresponsible fundraisers.


Just because a group is a bona fide charity doesn't always mean that a contributors' funding will be used wisely or in line with the donor's wishes or ethics. 

On October 7, 2015 the Museum of the Bible started its own in-house “One Million Names, Be One in a Million” campaign asking one million donors from around the globe to declare their belief that the bible should be celebrated by contributing to the funding of the yet-to-open Washington DC museum. With a crowdfunding campaign embedded into the Museum's own website with a matching video campaign on Youtube donors are being asked to contribute $20, $50, or $100 to the museum "where needed most."  

The Museum of the Bible's fundraising webpage states that donations "will become part of your personal legacy … a perpetual testimony of your commitment to this great Book." In appreciation, the fundraiser declares that the museum will permanently memorialize the donor's name on a wall in the museum, which is scheduled to open to the public in 2017. 

What is missing on the fundraising page though is a statement on just how the Museum of the Bible's "where needed most" funds might be utilized.   Will they go towards building the museum itself? Will they fund the employment of highly trained museum staff so that the MoB can avoid any more unpleasant surprises when importing antiquities without proper import documentation for the museum's collection?  Or will "One Million Names" donors contribute to sponsoring "hundreds of Christian student leaders to Israel" as part of the Covenant Journey project Tim Smith, the Museum of the Bible's Chief Development Officer, writes about here.    

Smith's blog post says, in part, that (the)

"Museum of the Bible is a founding sponsor of Covenant Journey because it furthers the Museum’s goal of inviting all people from across the world, from all backgrounds and religious affiliations, to engage with the Bible."    

What exactly does being a founding sponsorship entail?  

If one looks a little closely, Covenant Journey seems to be established and run through Liberty Counsel or at least the website URL registration and contact telephone numbers are the same for both groups.  Liberty Counsel is managed by Mathew Staver and the business in Florida is listed as "a legal organization that specializes in evangelical Christian litigation and public relations."  In contrast, the Southern Poverty Law Center (SPLC) has listed Liberty Counsel as an anti-LGBT and hate group.  How does the Museum of the Bible relationship with the founders of Liberty Counsel support Covenant Journey's own mission?

In the last three years, the Museum of the Bible is reported to have received more than $230 million in tax-deductible donations.

The ethics of charitable giving in a time of crowdsourcing

The NonProfit Times, a business publication for nonprofit management has reported that crowdfunding has hit $5 billion US dollars annually, with close to a third of that funding going towards potentially worthy charitable causes.  According to their estimate, that's a substantial $1.5 billion per year, much of it managed through major portals like Causes, Kickstarter, Razoo and Indiegogo. 

As crowdsourcing gains traction the benefits of reaching individuals via the internet as a tool for funding in art and heritage projects are easy to see.  But before hitting the donate button, contributors should be sure that the organization they intend to contribute to actually does the things that it tells its supporters it does in its donation solicitation. 

By adopting a “truth in advertising” approach, potential donors who love science and modern alternating current electricity or religion and the bible should not be afraid to demand a breakout of how their donations will being put to use.  Charitable organizations have administrative costs, but those who subscribe to the basic tenet of ethical fundraising and accountability should be willing to provide their donors with a breakdown of how much of their donation will be used for the specific cause advertised and how much will be used for other ancillary things. 

Before giving even small sums, donors should start out with a healthy dose of skepticism and look for signs that the organization dedicates its funding in ways that are consistent not just with the museum's fiscal needs but with the donor's own ascribed ethics.  If a donation request comes from a group claiming to care about heritage or the world’s cultural history, a first and simple step might be to spend some time searching the internet to see what the group represents itself to be and who it is affiliated with.  

If your search turns up concerns or questionable ties, and if there is a chorus of people saying there are problems with the organization that need to be addressed then it's probably best for the donor to give his or her $10 to someone they know is truly needy and not just harnessing the potential of the web. 














October 27, 2015

America’s Museum of the Bible - Hobby Lobby Owners Under Federal Investigation for Possibly Trafficked Assyrian and Babylonian Cuneiform Tablets

For years various academics have questioned the collecting and conservation practices of billionaire collector Steve Green, the philanthropist behind the $800 million, eight-story Museum of the Bible.  Slated to open in 2017, the museum will occupy a historically protected warehouse built in 1923 just minutes away from the National Mall and the US Capitol in Washington DC.  But Green's collection raises more questions than it answers.

Where are the thousands of antiquities coming from that have been purchased to supply this expansive museum?   And as a private museum, has the largest evangelical benefactor in the world cut corners in formulating his museum's acquisition policy, forgoing the standards propounded by museum associations and those dictated by international treaties?

Most of the general public are more familiar with the Green family via their landmark case against the US government objecting to the Patient Protection and Affordable Care Act which required that corporations above a certain size provide medical insurance benefits to their employees, including coverage for certain contraceptive methods.  In approving an exemption as a result of the case, Burwell v. Hobby Lobby, 573 U.S. (2014), the US Supreme Court decided in Hobby Lobby's favour stating that the Affordable Care Act's mandate requiring that for-profit corporations supply their employees with access to contraceptives at no cost to the insured employee could be opted out of by commercial enterprise owners who are opposed to contraceptive coverage based upon their religious beliefs.

GC.MS.000462, a papyrus fragment sold
on eBay in 2012 which has a text from
Galatians 2:2-4, 5-6 in the New Testament
But the Green's success in rulings over contraception has now been overshadowed by a federal investigation into the museum's collection practices regarding antiquities from ancient Assyria and Babylonia, what is now Iraq.

According to the Museum of the Bible website, the Green's purchased their first biblical object in November 2009.   Since that time, their collection has grown to an estimated 40,000 objects including Dead Sea Scroll fragments, biblical papyri, rare biblical texts and manuscripts, cuneiform tablets, Torah scrolls, and rare printed Bibles.   That's 6,666 objects per year or a whopping 18 objects purchased per day. Compare that to the number of employees currently working for the Greens in relation to their new museum and one can surmise that an object's collection history has not been a principle concern among the staff or consultants vetting historic items for inclusion in the museum's collection.

In April of 2014 Italian papyrologist Roberta Mazza, a lecturer in Classics and Ancient History at University of Manchester, pointed out her concerns surrounding a papyri fragment in the Green's collection. Mazza identified a small papyrus codex page containing lines from Galatians 2 in Sahidic Coptic during a visit to the exhibition, Verbum Domini II, organized by the Green Collection in Vatican City, Rome.  As might be expected, the fragment had a less than stellar collection history.

Belonging to the Green Collection, the fragment was first identified back in October 2012 by Dr. Bryce C. Jones, then a PhD student at Concordia University's Department of Religion.  The Galatians 2 papyrus had previously been listed for sale on the online auction site eBay that same year through an irreputable dealer using the name “mixantik”.  “Mixantik”, who also has used the names "ebuyerrrrr" and "Yasasgroup", is/was an Istanbul-based trader with a seemingly inexhaustible supply of ancient Coptic and Greek papyrus fragments from Egypt, all with little or no provenance.  This seller was also someone whom academics like Dr. Dorothy King and archaeologist Paul Barford had openly reported for trading contrary to Turkish and International law.

Concerned about the provenance of this piece of papyrus as well as other Green Collection practices, Roberta Mazza asked David Trobisch, the current director of the Museum of the Bible, both publicly and privately for more information on the acquisition circumstances of two specific pieces in the family's collection, GC.MS.000462 (Galatians 2) and P. GC. inv. 105 (the Sappho fragments). 

From the Green's employee she learned that the Galatians 2 Coptic fragment was purchased in 2013 by Steve Green from someone referred to as "a trusted dealer".   Records in the Museum of the Bible/Green Collection archives attest that the papyrus was part of the David M. Robinson collection which was sold at a Christie’s auction in London in November 2011.   

The fact that the auction sale records give no mention of the eBay seller, and conveniently does not contain a photographic record or detailed description of what the 59 packets of papyri fragments contain is suspect to say the least.  This lack of detailed documentation on auction sales involving antiquities makes it difficult to ascertain if any given object's origin is either licit or illicit.  This easy loophole leaves the door open for both buyers and sellers to slide suspect objects into the stream of international commerce undetected.  In a nutshell this method may be used to effectively launders smuggled cultural contraband and give an illegitimate object a plausibly legitimate collection history. 

Speeding forward to today, The Daily Beast has reported that the Greens have been under federal investigation for the illicit importation of cultural heritage from Iraq over import irregularities related to 200 to 300 clay cuneiform tablets seized by U.S. Customs agents in Memphis on their way to Oklahoma City from Israel.  The jointly-written article was written by Biblical scholars Joel Baden, professor of Hebrew Bible at Yale University and Candida Moss, professor of New Testament and early Christianity at the University of Notre Dame.

Cary Summers, president of the Museum of the Bible, spoke with Daily Beast reporters exclusively on Monday and stated that a federal investigation was ongoing and that “There was a shipment and it had improper paperwork—incomplete paperwork that was attached to it.” 

In 2008, the U.S. imposed an emergency import restriction on any archaeological and ethnological materials defined as "cultural property of Iraq. This import restriction was imposed to protect items of archaeological, historical, cultural, rare scientific or religious importance at risk of trafficking as the result of unrest in the country.  This import restriction continues additional restrictions already in effect continuously since August 6, 1990.

The selling of ancient Iraqi artifacts is absolutely prohibited under UN resolution 1483 from 2003, as you may find in paragraph 7 of the link here. 

A source familiar with the Hobby Lobby investigation told reporters at the Daily Beast that the cuneiform tablets were described as samples of “hand-crafted clay tiles” on their FedEx shipping label and were valued at under $300.   If true, this seems less like an simple oversight on the part of the shipper and more like direct falsification, not just of these objects' value but of their historic significance and origin as its doubtful that cuneiform tablets will be showing up in the Wall Decor section of Hobby Lobby anytime soon. 

American imports of art, collections and collectors' pieces, and antiques from Egypt, Iraq, Lebanon, and Syria increased sharply between 2011 and 2013. Is a pattern developing?  Is this how heritage artifacts from source countries plagued by conflict are being folded into legitimate museum and private collections?

David Trobisch has stated that the Green Collection has one of the largest cuneiform tablet collections in the country.

In selecting antiquities, individual collectors and museums have choices. They can choose to focus exclusively on the historic, aesthetic and economic benefits of their acquisitions in formulating their collections or they can add ethical and moral criteria to their purchase considerations and not purchase conflict or blood antiquities.

By Lynda Albertson 

Excerpt from ICOM Code of Ethics for Museums
©2013